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"height": 110, "width": 196, "preference": -7, "id": "31", "resolution": "196x110"}, {"url": "[REDACTED]", "height": 138, "width": 246, "preference": -7, "id": "32", "resolution": "246x138"}, {"url": "[REDACTED]", "height": 188, "width": 336, "preference": -7, "id": "33", "resolution": "336x188"}, {"url": "[REDACTED]", "height": 360, "width": 480, "preference": -7, "id": "34", "resolution": "480x360"}, {"url": "[REDACTED]", "preference": -6, "id": "35"}], "thumbnail": "[REDACTED]", "description": "Country&Weather....Country Weather...1969...1971...Full Album.Oblik: \n2 x VinilLP, Ograni\u010deno izdanje, Reizdaj\nZemlja: \u0160vicarska\nOslobo\u0111en: 2005\n\u017danr: Stijena\nStil: Acid Rock, Garage Rock, Psihodeli\u010dni kamen\n.......Popis za pra\u0107enje\nMaskente cr\u00e9dits\nA1  Iznova i iznova\nNapisao \u2013 Steve Derr\n4:42\nA2  Dje\u010dak bez doma\nNapisao \u2013 Steve Derr\n3:57\nA3  Na stazi\nNapisao \u2013 Steve Derr\n3:17\nA4  Da, tako je\nNapisao \u2013 Steve Derr\n3:51\nB1  Za\u0161to me vrijeme ostavlja iza sebe\nNapisao \u2013 Greg Douglass, Steve Derr\n4:02\nB2  New York City Blues\nNapisao \u2013 Chris Dreja, Keith Relf\n4:32\nB3  Nosite rezervni\nNapisao \u2013 Greg Douglass\n5:04\nB4  Letite za New York\nGlazba po \u2013 Vrijeme u zemlji\nRije\u010di po \u2013 Steve Derr\n6:49\nB5  Crna planinska krpa\nRasporedio \u2013 Greg Douglass\nNapisao \u2013 Tradicionalan\n1:24\nC1  Ne znam (u\u017eivo)\nNapisao \u2013 Steve Derr\n4:03\nC2  Crna planinska krpa (u\u017eivo)\nRasporedio \u2013 Greg Douglass\nNapisao \u2013 Tradicionalan\n7:10\nC3  Pakistan (Prsten oko Mjeseca) (u\u017eivo)\nNapisao \u2013 Steve Derr\n2:48\nC4  Letite u New York (u\u017eivo)\nGlazba po \u2013 Vrijeme u zemlji\nRije\u010di po \u2013 Steve Derr\n9:17\nD1  New York City Blues\nNapisao \u2013 Chris Dreja, Keith Relf\n4:26\nD2  Da, tako je\nNapisao \u2013 Steve Derr\n3:19\nD3  Probudi me protresi me\nRasporedio \u2013 Vrijeme u zemlji\nNapisao \u2013 Tradicionalan\n15:04\n.......Umjetni\u010dka djela \u2013 Miguel Rodriguez (2)\nBas, Vokal \u2013 Dave Carter (4)\nBubnjevi \u2013 Bill Baron (2)\nIn\u017eenjer \u2013 Bruce Walford (staze: od A1 do A4)\nIlustracija [Prednja maska] \u2013 Marie Van Deusen, Randy Tuten\nGlavna gitara, vokal, note : Greg Douglass\nLinije \u2013 Mike Somavilla, Robert Strand (pjesme: Bob Strand)\nProducent \u2013 Bob Strand* (staze: od A1 do B5)\nSnimio \u2013 Terry Ratza (staze: od C1 do D3)\nRitam gitara, vokal, note : Steve Derr.............Pregled vremena u zemlji Williama Ruhlmanna  [-]\nDesetlje\u0107ima je Country Weather bio poznat, ako uop\u0107e, kao ime benda na nekoliko psihodeli\u010dnih plakata koji su ogla\u0161avali rock koncerte u San Franciscu \u0161ezdesetih i ranih 70-ih, zajedno s poznatijim izvo\u0111a\u010dima koji su trebali svirati dvorane poput Fillmorea. Tko su bili oni i \u0161to im se dogodilo? Odgovori se nalaze na ovom arhivskom albumu, koji bi trebali pozdraviti ljubitelji glazbene scene San Francisca. Country Weather nikada nije sklopio diskografski ugovor tijekom svog postojanja 1966-1973 (ponovno su se formirali s dva izvorna \u010dlana 2000. godine), ali su 1969. godine izrezali demo od pet pjesama koji je zaradio lokalnu emisiju, a \u010dini se da su snimili i jednu od svojih emisija u\u017eivo u ljeto 1970. i odradili jo\u0161 jednu studijsku sesiju 1971. godine. To se \u010duje na ovom albumu (objavljen kao vinilni double-LP set koji se prote\u017ee malo iznad maksimalne duljine jednog CD-a). Prema dokazima snimki, Country Weather je bio eklekti\u010dan outfit s najmanje dva razli\u010dita glazbena identiteta, \u0161to je mo\u017eda nagovijestilo njegov eventualni prekid. S jedne strane, tu su pop-orijentirane pjesme koje je napisao ritam gitarist i pjeva\u010d Steve Derr, koje se \u010duju prvenstveno na sesiji iz 1971. godine koja \u010dini stranu A. Derr otkriva utjecaj Beatlesa na pjesme kao \u0161to su \"Yes That's Right\", a iz \"Over and Over\" zvu\u010di kao da je slu\u0161ao nedavne Grateful Dead country-rock napore poput American Beauty. Bend tako\u0111er odjekuje spacier aspekte Deada na psihodeliziranim melodijama kao \u0161to su \"Why Time Is Leaving Me Behind\" i grupno sastavljena improvizacija \"Fly to New York\" (\u010duje se i u live i u studijskoj verziji). U kontrastu s tim stilovima je blues-rock pristup glavnog gitarista Grega Douglassa (jedini koji je kasnije postao zna\u010dajan priznanje). Svoju prisutnost obznanjuje na naslovnicama Yardbirdsa (\"New York City Blues\") i Blues Projecta (\"Wake Me, Shake Me\"), kao i na pro\u0161irenoj, ljuljaju\u0107oj verziji \"Black Mountain Raga\". \u010cini se da Douglass \u017eeli pretvoriti Country Weather u cream, i doista je raspad benda potaknut njegovim odlaskom i odlaskom bubnjara Billa Barona da osnuju mo\u0107ni trio nalik kremi. Pojava Country Weathera nakon svih ovih godina ne predstavlja otkri\u0107e velikog izgubljenog albuma velikog izgubljenog benda iz San Francisca 60-ih. 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